Banning the Production of Tobacco Products Benefits...

Carbamide is a natural composite that can be found in our urine, commonly known as Urea, is used in the production of cigarettes to boost up the flavor (Wikipedia, n.d.). Tobacco production and usage have changed noticeably over the past decades. Producing tobaccos nowadays have improved compared to how it is done in the past. With the help of technology, seeding and soiling tobaccos is easy, there’s no need to wait to waste time and energy plus still get profits in return. Also, there are different ways to harvest tobacco. Which is making other countries participate in having a piece of the tobaccos’ production profits that can lead to a serious impact. So, if everyone is willing to take this amount of time and effort to try and develop†¦show more content†¦Instead of spending time to start, improve or develop businesses that are in such field, they could spend it on something else that could be more useful to them and their economy. The government can even be involved in this by offering better jobs in industries that are actually benefiting society in several ways. While offering less salaries to those who work in fields that could harm society in the short or the long run. The United State’s government spent so far around 6,995,995,333 $ on public healthcare until now, while this essay is being written (WorldoMeters, 2013). Even though businesses such as producing and selling tobacco products may be helping our economy to be enhanced; creating a clear declare for regression, positive sales sign, and/or an increase in demand for these products. We cannot just simply neglect the bad side of these businesses are leaving behind. Second of all, trying to prevent the related issues that tobacco can create when it is consumed which will be the second step society can take in order to benefit from it. Tobacco can affect citizens in their health wise. There is an impact on both, our brain and body. Due to the drug that can be found in tobacco, Nicotine, many people are now addicted to tobacco. (How Tobacco Affect Our Health, n.d.). 4 out of 10 teens and/or young adults, who smoke during their early age, will end up being regular smokers as growing up older. (Karen Larson, M.D., Stanley J. Swierzewski, III,Show MoreRelatedTobacco Products Should Be Banned1905 Words   |  8 PagesTobacco products have been used for chewing and smoking in the North American continent for over a thousand years. Tobacco products have been a part of United Stated history since its colonization. However, although tobacco products have been used for centuries there have been studies done in more recent years that have linked tobacco pr oducts to widespread health problems. This has caused controversy in the world today on whether or not tobacco products should be banned in this country. There areRead MoreSmoking Tobacco Is The Leading Cause Of Death Worldwide880 Words   |  4 Pagesrespiratory issues than nonsmokers. Tobacco products such as, snuff and chewing tobacco also contribute to similar health issues and risk. The idea of banning smoking and tobacco products is great because it could prevent millions of deaths yearly. There are many different negative side effects that come along with the use and smoking of tobacco. Smoking tobacco is often referred to as a â€Å"slow death†, because it shortens a person’s life expectancy. The use of tobacco often leads to many differentRead MoreShould Cigarette Smoking Be Banned?899 Words   |  4 Pages Should Cigarette Smoking Be Banned Whether or not cigarette smoking should be banned completely, has become an object of controversy in many countries. Should cigarette smoking be banned for everyone in the United States? Smoking tobacco products have been around for decades and in many different forms. According to the Centers of Disease Control and Prevention (CDC), cigarette smoking is the leading preventable cause of death in the United States. Cigarette smoking causes more than 480,000 deathsRead MoreTobacco Products And Its Effects On The United States876 Words   |  4 Pagescan be found in almost any store, right behind the register after a grocery list has been completed. Tobacco companies are multi-billion dollar industries that thrive on the addiction of its consumers. The United States government should take control of tobacco companies and ban the marketing, production, and sales of tobacco. This is because health issues contributed to the use of tobacco products are overwhelmingly high; they’re v ery addictive; the effects of second-hand smoke are as harmful asRead MoreThe Film Secrets Of Tobacco Industry925 Words   |  4 PagesTobacco is one of the easiest drugs to purchase and consume around the world. Available in various smoke shops and grocery stores tobacco is widely available to the public. But what are the effects of the drug on people’s health? What are countries doing to stop it? The film Secrets of Tobacco Industry speaks mainly about the marketing and sale of tobacco in Indonesia. To start of the Christof Putzel proceeds to New York where mayor Michael Bloomberg discuses his effective mission to decrease smokingRead MoreShould Marijuana Be Legal?1610 Words   |  7 Pagescannabis. Most people inhale it in the shape of cigarettes for pleasure and relief. Should marijuana be made legal? Advocates of the drug argue that there are multiple medical advantages and that tobacco and alcohol are far more harmful for us than the drug itself. This causes us to believe that banning this drug interferes with our rights to freedom. Within the past 10 years, a very high number of operations to allow the use of marijuana have been significantly strengthening in size. Based purelyRead More Against Tobacco Essay1542 Words   |  7 PagesAgainst Tobacco â€Å"How-To† suicide kits are readily available all across the country. They are inexpensive and easy to purchase at the young age of eighteen! Sounds ridiculous, right? Maybe. Maybe not. I am referring to tobacco products. They are among some of the top selling products in our country, and a large contributor to our cancer epidemicRead MoreMarijuana Decriminalization Essay1420 Words   |  6 Pagespeople have always used alcohol and cigarettes as a vice in this manner. The difference being that the government had knowledge of the effects of alcohol and tobacco and had measures in place to control these substances. In the case of marijuana, the government did not have the knowledge or the means to attempt a legalized regulation of this product. Rather than controlling the sale and use of marijuana, the Canadian government made marijuana illegal with the intention of protecting its citizens fromRead MoreLegalizing Marijuan A Land Of Equality, Liberty And Freedom Essay1838 Wo rds   |  8 Pagescenturies. However, the government tries to take freedom away from people by eliminating their ability to execute their free will. Some government officials in the United States started waging a war against drugs to attain their political goals and banning marijuana was an initial step that they took leading to the extermination of liberty and the pursuit of happiness. Not only will individual free will get eradicated, but also the privilege of self-determination will be extinguished. The interferenceRead MoreResearch Paper: Tobacco Industry3059 Words   |  13 Pages430: Business, Government, and Society Research Paper: Tobacco Industry Dixon 1 Table of Contents Introduction 2 History 3 Corporate Stakeholders 4 Role of the tobacco industry in its social, economic, and political setting 7 Domestic and International Ethics 9 Ecological and Natural Resources 10 Social Issues 11 Rating of Social Responsiveness 11 Rating in relation to the Saint Leo Core Values 12 Dixon 2 Introduction The use of tobacco is a very controversial topic here

Vampires Impact on Literature, Movies, Ect - 1547 Words

Does Dracula, Queen of the Damned, or Anne Rice sound familiar? Surely, they must, but not just for one person. In fact, for people all over the world! The three terms expressed all have one thing in common; vampires. These mythical creatures are one of the most popular horror-related figures. Vampires may be a frightening subject for most, but that does not take away from the fact of their popularity throughout. The fascination of vampires has greatly affected past, present, and future cultures all around the world. â€Å"The word vampire (or vampyre) entered the English language in 1732, according to The Oxford English Dictionary† (Skal 200). One can’t go living life without knowing about the vampire because they’re everywhere! Someone can†¦show more content†¦These beliefs are the closest to our modern vampire. People have always and will always be affected by the infamous vampire. â€Å"Norine Dresser, a folklorist at UCLA also wrote a book at that time called American Vampires in which she documented vampire images in the media and described the effects on people who claimed to be vampires. She sent out a questionnaire, and out of 574 respondents, 27 percent admitted to a belief in vampires† (Ramsland 65). Certain individuals would file their teeth into a razor-sharp weapon, sleep in coffins, avoid the sun, and dress entirely in black. Some people would even form small groups to exchange blood in secret. Sadly enough, people would go too far to become their fictitious character. Known as â€Å"Lust Murders,† people would kill in order to get a sexual pleasure as a vampire would. In 1827, a moody 24 year old vine dresser named Leger killed a 12 year old girl in the woods. He admitted that he drank her blood, mutilated her genitals, tore out and ate a part of her heart, and then buried her remains. When he was questioned about his horrific event, he talked with no emotion or remorse. Two other â€Å"Lust Murdersà ¢â‚¬  comprise of a man cutting his arm for his wife to suck on before sex because it would arouse his wife so strongly. The second is â€Å"a man dissected his victims and got so caught up in the gore that he trembled with the desire to wallow in it and consume it† (Ramsland 105). Many crimes wereShow MoreRelatedThe Determinants Of Box Office Revenue For Horror Movies Essay1170 Words   |  5 Pages The Determinants of Box Office Revenue for Horror Movies is an academic article written by Neil Terry, Robert King, and Jeri J. Walker. It was published in 2010 in the Journal of Global Business Management. The reason I chose this article was because it is relevant to my area of study. I am researching gender role issues in horror films, and I was curious how the movies did in the box office. There have been many different types of horror films done throughout the years like slashers, comedy

With the evolution of man has come the inevitable evolution of the arts Free Essays

With the evolution of man has come the inevitable evolution of the arts. Whether decorative, visual, or musical, the arts have seen several distinct periods of development through the course of history and as one of the definitive artistic media, music is no exception. During the 17th through middle 18th centuries, music progressed through a period that historians labeled â€Å"Baroque. We will write a custom essay sample on With the evolution of man has come the inevitable evolution of the arts or any similar topic only for you Order Now † New musical forms and a style of music that was unheard of at the end of the renaissance characterized this period. These new styles and forms saw the emergence of several composers who, rather than break new ground in the musical world, took the existing forms and developed them into robust, mature works that fully exhibited their virtuosic command of the â€Å"rules† of composition. Johann Sebastian Bach (1685-1750) and George Frideric Handel (1685-1759) were two composers that historians and musicians alike use to describe the essence of the baroque period. Neither composer generated groundbreaking reforms in the core of the music they composed, but rather they took that which was defined and increased the breadth, scope, and complexity of existing genres to suit their purposes as working musicians and/or composers. During the Baroque period, a popular musical form was the Prelude and Fugue (also called Toccata and Fugue or Fantasia and Fugue). Such a form was nothing new during the Baroque period, as examples of similar forms date back to renaissance and even pre-renaissance musical examples. The practice of freely improvising a few notes of the coming contrapuntal passage was common in those periods prior to Baroque. When composers such as Girolamo Frescobaldi (1583-1643) and Dieterich Buxtehude (1637-1707) codified the Prelude and Fugue into its then-modern form, the way was paved for Bach’s Praeludium et Fuga in A Minor, BWV 543 (~1708-1717). The prelude section consisted of contrasting irregular rhythms coupled with sets of asymmetric runs of driving sixteenth notes (Palisca 346). Such irregular compositions were used to emulate the improvisational nature of the prelude of days past. While the form was codified by the likes of Buxtehude and Frescobaldi, there are some fundamental differences between their works and those of J. S. Bach. Bach’s Praeludium et Fuga in A Minor consists of separate sections for the prelude and fugue. A staple of Frescobaldi’s work, Tocatta No. 3 (1615 revised 1637) gives us the relentless movement associated with a prelude form, although its extensive use of cadence evasion is a contrast to Bach’s mostly uniform movement from tonic to dominant and vice versa. The less-defined fugal section in Frescobaldi’s work also serves as a contrast to Bach’s later work, however, the roots of the template for his toccata are nonetheless prevalent in this example. Buxtehude’s Praeludium in E Major, BuxWV 141, followed a progression of several â€Å"free† segments with fugal segments intertwined within the whole of the piece. While the prelude and the fugue sections may not be as clearly defined as Bach’s piece, they nonetheless serve as the template from which they will be written. Parallels can also be drawn to Arcangelo Corelli’s (1653-1713) Trio Sonata, Op. 3 No. because the second movement, Allegro, makes use of fugal sections in the melodic structure. The voices of the fugue are spread out among the voices of the instruments involved. The evolution an artistic medium such as Prelude and Fugue to its mature form spanned the better part of the 17th century, and then took its place among the many popular forms of the Baroque Era. The chorale prelude in the Baroque era is â€Å"a short piece in which the entire melody is presented just once in readily recognizable form† (Palisca 350). Both Bach and Buxtehude wrote chorale preludes and each had an interesting take on how to arrange the chorale. In Bach’s Durch Adams Falls BWV 637 (~1717), Bach places the original melody in the topmost voice and makes extensive use of the lower voices and pedal to participate in large amounts of text painting. The passages marked with any kind of text related to a â€Å"fall† have intervallic drops that were considered dissonant at the time. The intervallic dissonances coupled with the easily recognizable melody in the topmost voice made for an effective setting of Lazarus Spengler’s text. Danket dem Herrn, BuxWV 181, by Buxtehude, provides a contrast to Bach’s style of text setting for a chorale prelude. Buxtehude sets the text for â€Å"Thank the Lord, for He is very kind† by taking the original melody and dividing it among the various voices and making the melodic phrase the subject of a short fugue. Each of the three verses would see an individualized segment of imitation followed by a run of freely composed counterpoint (Palisca 429). The two seem to share characteristics of the chorale prelude in name only, however, there is a connection between the two, for without Buxtehude’s setting of his text, Bach could have never developed upon the idea of making the text more effective even though there would be no actual text in the organ chorale. The idea of making the meaning of the text more effective was characteristic of Bach’s chorale prelude. Such a development from the counterpoint-centered chorale prelude of Buxtehude to the message-conveying text painted medium of Bach shows just how much variation there can be within a certain medium. As one of the more massive works in J. S. Bach’s repertoire, the cantata is a massive musical setting of a religious text delivered in multiple movements. Although not a dramatic medium, the cantata was organized religion’s answer to the use of aria and recitative. Cantata in the Baroque era made use of alternating aria and recitative sections to set a religious text to a specific story. J. S. Bach’s Wachet Auf, ruft uns die Stimme, BWV 140, sets the story of Philip Nicolai’s telling of angels come down from heaven to wake the virgins in anticipation of the bridegroom’s arrival. The entire cantata makes distinctive use of ritornello reminiscent of Antonio Vivaldi’s (1678-1741) Concerto Grosso in G Minor, Op. 3, No. 2, RV 578. The ritornello is divided into four-bar phrases that are based on several distinct melodic motives (Palisca 547). Bach also makes extensive use of text painting and subtle musical paintings that are clearly throwbacks to composers such as Josquin Des Prez (~1450-1521) and Carlo Gesualdo (~1561-1613) that wrote in the â€Å"musica reservata† style in the renaissance and ars nova periods. J. S. Bach lived and worked in Germany all of his life. His work was, almost exclusively, with the Lutheran church, which is not surprising since it is known that Bach was a devout Lutheran. Such information may seem peripheral to his works as a musician but it becomes integral when trying to take a historical analysis of J. S. Bach’s Mass in B Minor, BWV 232 (~1749). It is somewhat of a historical idiosyncrasy that Bach, a self-professed devout Lutheran, to write a Catholic mass, but historians have inferred that the mass was probably written as a gift for the King of Poland. The historical oddity aside, Bach’s Mass in B Minor, is one of the most well-known and oft-performed examples of his work. His setting of the credo includes a single tenor being accompanied by a small chamber group of instrumentalists. Such an instrumentation differs with Credo’s of the past, especially that of Giovanni Da Palestrina (1525/6-1594). Palestrina’s Pope Marcellus Mass (1567) sets the credo, in a style typical of the period, for unaccompanied voices set in contrapuntal melodies. Such a fundamental difference in the setting of a mass would indicate the differences in philosophies regarding the setting of text between the two periods. Bach’s post-reformation world held a belief that, with matters regarding religion, the meaning of the text should come first and thus should not take second place to musicianship or rules of counterpoint. For those who wrote â€Å"traditional† catholic masses, such as Palestrina and Josquin Dez Prez the meaning of the text took a backseat to the melodic structures of the pieces at hand. Although Josquin’s Missa Pange lingua (~1510) presents a homo-rhythmic setting of the credo, the rest of the mass is a contrapuntal mess of voices taking complex imitative passages of each other. Bach’s setting of â€Å"Et expecto resurrectionem† is a reflection of a Baroque trend of large-scale instrumental accompaniment to a choral text setting. Here, a full orchestra accompanies five voices. The text is displayed in blocks alternating to and from a ritornello from the orchestral accompaniment. While Bach’s works throughout the Baroque era are vital to the understanding of music during that period, where it came from and where it was headed, Bach’s work contributed no less to the development of music than G. F. Handel. Bach is probably best known for his work as a German in Germany, Handel, however, is perhaps best known for his work as a German in England. During a brief period in the early 18th century, Handel was patron to the elector of Hanover, and although this appointment would not last, it would prove to be a defining point in Handel’s career. In 1712, he was granted permission to take a trip to London, and what started out as a short leave of absence turned into a 2-year stay in England’s capitol. Ironically, George I, Handel’s master in Hanover, ascended the British thrown shortly thereafter, becoming King George I of England. This two year period in London would only be the tip of the ice burg of what would be considered a long and prosperous career for Handel. If Bach were to be defined by his eclectic collection of religious works, then the defining works of Handel would be his adherence to the operatic tradition. Handel wrote many operas like Giolio Cesare (1724) that emphasized the dramatic tradition of the opera. Giolio Cesare is the story of Julius Caesar and subsequent trip to Egypt and all the drama that occurs therein. Handel skillfully uses the orchestra as an accompanying force during the recitative and aria, but also knew how to take advantage of a full orchestra by writing passages in which there were powerful unison passages and utter silence when appropriate. Like Alessandro Scarlatti’s (1660-1725) opera La Griselda, Handel uses a repeat to return to the phrases at the beginning at the end of use, thus making effective use of â€Å"Da Capo† or â€Å"Dal Segno† form. The setting of the text is done effectively to create both musical and dramatic beauty by using well-placed sets of delays and avoided cadences. Fierce competition with a rival operatic company coupled with the tightening of the moral collar by the church forced Handel to adopt an alternative to opera as his main artistic medium. The church ruled that during solemn periods in the liturgical year the theatres in England would be closed, and as such, no operas, or any other dramatic works for that matter, could be performed. As such, Handel took a foray into the form of the Oratorio, an adaptation of the operatic tradition for the purpose of telling religious stories. His Oratorio, Saul (1739), was, for all intents and purposes, an opera set to the story of Saul’s conversion into Christianity. Although Oratorios make extended use of accepted operatic forms, aria, recitative, etc. no physical drama takes place in the setting of the stories. Handel makes use of contrapuntal passages and fugue, typical baroque compositional elements, to tell his story of Saul, while Heinrich Schitz (1585-1672) used more of a concerto grosso form to tell of Saul’s revelation. Schitz set the story of Saul for six voices and orchestra and made extended use of harmonic dissonance rather than play with rhythms or melodic structures to tell the story. The relatively thick-textured nature of Schitz’s setting makes for a dramatic interpretation of Christ’s words to Saul. Handel, however, takes his experience with recitative and aria to paint a no-less striking story of Saul. The â€Å"masters† of any historically defined era or period are usually those that came into the scene â€Å"en medias rex† (in the middle of things). We see that both J. S. Bach and G. F. Handel took the existing artistic forms and artistic media available to them codified at the beginning of their period and expanded them into what would become the defining elements of music of the Baroque period. Like Josquin Des Prez during the height of the Ars Nova and Adrian Willaert during the peak of the madrigalists, composers at the middle of their respective periods were responsible for creating the defining characteristics and notable references to that period before the inevitable move towards evolution and change take hold and move the music or art away from its previous center. The process of musical evolution is, perhaps, not as notable as some of the social or political watermarks, but provides much needed insight into the minds and hearts of those who lived during such fascinating times. How to cite With the evolution of man has come the inevitable evolution of the arts, Papers

The Lesson before Dying Types of Symbolism free essay sample

The Dixie is similar to UK Klux Klan but haves different mentality. Dixie wouldnt kill blacks for no reason but they do think that blacks shouldnt be in a white country. The White picket fence surroundings the plantation school symbolizes when those black children look out the window thats how far their education is going to go in the white society. The teacher might teach them all he can but pass that fence he knows education doesnt matter no more. Jackie Robinson and Joe Louis symbolizes the pride and how much heart the lacks have.Jackie Robinson symbolizes the heart of blacks because he was the first black in the Major League of Baseball because he takes up all the abusiveness from his teammates, players around the league and fans. Joe Louis shows pride because when all the whites say hes going to lose his title he would come up winning. We will write a custom essay sample on The Lesson before Dying: Types of Symbolism or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page